Dongles are always hard to love, but I didn't have any problems authorising mine. As before, it's authorised to a Steinberg Key using the Synchrosoft copy-protection system, but this time, no key is supplied, so anyone who doesn't already own one will need to budget for an extra £20. To the latter end, the sound library has grown from 250MB to 1.7GB, and now features lossless data compression for better quality, plus there's greater freedom to edit patches.
In the former category, improvements include a new Hyperphrase arpeggiator and the ability to switch between multis on the fly, for seamless patch changes during live performance. Their aim seems to be to build on version 1's strengths, whilst answering those critics who found the original a little bit superficial. I’ve put place holders as it’s easier to go back to the MOTIF and recreate the patches, themselves once placeholders for timbre ideas via Hypersonic2, or HALionOne.Two years on, Steinberg and developers Wizoo have brought out version 2. I just dug out one of a huge # of, important projects and did searches of entire banks, of HALion SE3.5 … dozens of tracks, which I reset up in Cubase 11 and found not a single facsimile of the sounds, by name or timbre from dropped VSTis. Even if they’re just placeholders for the part.
Or a search that found the missing patches. I get development but always felt code could keep these products at least in function. As much as I’ve a MOTIF XF it’s a frustrating deal, if you write symphonic music, with 3 dozen tracks, and they swap them out every few years. This seems, as much as HALion Sonic SE has many new, cool, critical features, is disruptive to a library material made over 15-20 years. The sounds used were never found to be the “same sounds” available in HE 1 etc to HE3. synth sound with built in delay (as on HALion One), or a guitar lead swell (Hypersonic 2) any such nuances, then kill the part. Snare or tympani in another context, such as without a gleckenspeil on the same wave, or a certain perc. They are not “replaced” by name & timbre in newer platforms. Its important that Steinberg understand axing VSTis is a horrid thing for the arranger of large symphonic or really any pieces. I know this post is old, but a Comment: Originally HALion One was said to cover all the sounds dropped from Hypersonic 2 (never made sense to me to write out a VSTi from service, let alone for $270, in 05), yet I never could find a single title or sample edits of important patches were the same at all, after searching 1st HALion One, and then as HALion One phased out., HALion SE.
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